Wonder Women of the Medieval Ages |
Women during the middle ages were restricted
when it came to economic and political power. As talented and creative as these
women were they still had no voice in society. They were just seen as tools and
only useful for completing domestic tasks. For the women who were able to use
art as a way to express themselves they received no recognition for their work
and people knew very little of them. They had all this talent but no one was
aware of it. Men were secretly intimidated by women and wanted to hinder their
success. The text mentions how “women had access to learning but were prohibited
from teaching “a woman must be a learner, listening quietly and with due
submission. I do not permit a woman to be a teacher, nor must a woman domineer
over a man; she should be quiet” (Chadwick 45). This quote highlights the
limitations that came with being a woman. Everything with a woman had to be private because they
were unable to explore life. It was like an agreement between women and society
being able to learn but being limited to spread any knowledge to
anyone around them. The middle ages were a time that women felt restricted,
because society hindered them from growing and made them feel incapable of accomplishing
things. Majority of the women during this time were dedicated to religion and
church. The text states that “royal women may have suited the political needs
of the Ottonian dynasty; giving unmarried women of royal blood religious power
and intellectual authority was one way of lessening the chances they would
marry potential rivals outside the family” (Chadwick 53). This was another way
to limit women from being able to live their lives freely. Women had to be more
dedicated to their dynasty then themselves, but although being a part of the
dynasty limited women it also gave them a way to build their own identity. The typical
role of women during this time was to be a housewife and a mother, so being a
part of this dynasty separated them from this. They could now focus on
themselves and serve as an asset to their community directly.
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Women
during the middle ages faced a lot of challenges which made it difficult for
them to have their own identity. Despite being inferior to men they still
managed to become writers, artists, and nuns which allowed them to gain their independence.
A lot of the art that was created were pictures of religious objects and
tapestries. The text states “many of the artists were women, either working in business
owned by male family members or living as nuns in convents” (Guerrilla Girls
19). This quote shows the importance of women and the impact that they had on
earth. As much as they were restricted from society they still made their mark
from being able to display art. Art served as a way for women to express themselves the
best way that they could. They no longer had men to tell them how they should
be portray themselves in art especially since most of the art was religious based. The text
states how “joining a convent freed women from the demanding roles of being
wives and mother. Families sent girls as young as five or six years old to nunneries”
(Guerrilla Girls 21). Although by going to nunneries seemed as if the families
were making the decisions for their young daughters it was for some women a way
to live their life without being limited to domestic roles. Joining a convent
was like joining a club, because all these women were working to escape the typical
role of what it meant to be a “woman” during this time.
As for
the Renaissance era the time period was more restricting and it seemed at this
point that progression of women was reverting. The text states that “women were
barred from painter’s guilds or academics. They couldn’t receive commissions or
legally own atelier. Most were illiterate” (Guerrilla Girls 29). It just shows
the restriction that came with being a woman, and how much of their success was
hindered. As women there were many constraints
to what they could do. It shows with all these restrictions that women were
seen as a threat and in order to avoid them from becoming more powerful than men
they had to be limited.
Works Cited
Chadwick, Whitney. Women, Art, and Society. 4th ed. New York, N.Y.: Thames and Hudson, 1990. Print.
The Guerrilla Girls, The Guerrilla Girls’ Bedside Companion to the
History of Western Art (New York, Penguin Books, 1998)
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