Abstraction in painting and sculpture were developed simultaneously during the first decade of the 20th century. The art was formed after post-impressionism, and cubism resulting in the high spiritual content. This was the time when artists started exploring into decorative arts and textiles with geometric abstraction. According to “Modernism, Abstraction, and the New Woman” by Whitney Chadwick, “Geometric abstraction when worn, come to signify modernity and, at the same time, to obscure very real kinds of social change that would ultimately erode the ideal of individual artistic freedom”(252). Fashion played a major role at this time, there were modern influences in fashion during this period.
One of the well-known artists during this period is Sonia Delaunay, she was a Russian artist that moved to Paris in 1905 (Abstraction was more prevalent there). She worked with her husband and is best known for the way she used colors, and used geometric patterns creation abstract art.
One of the well-known artists during this period is Sonia Delaunay, she was a Russian artist that moved to Paris in 1905 (Abstraction was more prevalent there). She worked with her husband and is best known for the way she used colors, and used geometric patterns creation abstract art.
This art by Sonia Delaunay was the first piece of decorative art and the first completely abstract work
. This was influenced by Russian Peasant design.
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She was yet another woman that decided to give up her career and dreams to support her family, husband specifically, so he can get ahead in his career. Working with textiles and embroidery lead her to break down forms and emphasize surface structure in her work. Her husband later commenting on her painting that “the colors are dazzling.They have the look of the nationals
or ceramics, of carpets – that is, there is already a sense of surfaces that are being combined, one might say, successfully on the canvas” (Chadwick page 262).
or ceramics, of carpets – that is, there is already a sense of surfaces that are being combined, one might say, successfully on the canvas” (Chadwick page 262).
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